Monday, 8 June 2015
Butterfly Balls
Been so busy recently with other pieces that I hadn't made any of my signature Butterfly Balls for a while. These new Butterfly Balls are fresh from the studio and recently delivered to the Rowley Gallery. The piece at the top uses my bright colourful papers, and the piece at the bottom is made from a vintage map of London.
Wednesday, 3 June 2015
Monday, 1 June 2015
Anne Ten Donkelaar: Butterflies Through Others Eyes #6
I admire the imagination and quirky vision of Dutch artist Anne Ten Donkelaar who creates the most delicate pieces of artwork using fragile materials such as insects bodies and butterfly wings to create something very distinct. These pieces are from her Broken Butterflies collection. The piece above is titled "Goudrafeltje". I love the conceit of gilding the wings of a real butterfly - as if they weren't pretty enough already!
An interesting combination/collage of actual butterfly and map fragments in "Map Butterfly" above.
I think the piece above - 24 Piece Butterfly, creating a whole butterfly from layered fragments of broken/salvaged butterfly wings is beautiful.
Donkelaar says of her work - " A damaged butterfly, a broken twig, a bumblebee, some strangely grown weeds: I find all these unique discoveries in my path and then take them home to my studio. My finds inspire me. While looking at them I can invent my own stories about their existence and their lives. By protecting these precious pieces under glass, I give the objects a second life and hope to inspire people to make up their own stories about them".
Wednesday, 27 May 2015
Daniela Osterrieder: Butterfly Brooches
I really like these pieces by German jewellery designer Daniela Osterrieder. They are based on the shapes and textures of butterfly wings. They manage to perfectly capture the fragility and texture of their subject beautifully, even though they are made from precious metals.
They resemble early Greek and Roman micro-mosaic work which comprised of tiny pieces of tesserae (glass panels) set into a base. Micro-mosaics were popular, and produced at their best examples during the 18th-19th centuries when micro-mosaic jewellery would be worn by ladies of wealth whilst completing the Grand Tour. Coincidentally during this period micro-mosaics were also made using the real iridescent scales of butterflies.
Osterrieder's pieces are so tactile, they are just begging to be touched and handled, as well as worn.
Compare the texture of Osterrieder's work to Nature's real life examples of butterfly wings viewed through a microscope below. The microscopic examples of real butterflies are amazing for their colour and pattern.
Sunday, 24 May 2015
Thursday, 21 May 2015
BBC2: Butterfly Ident
Spotted this butterfly themed ident for Springwatch on BBC 2 over the weekend. Love it! So creative. Give it a play and see if you agree.
Friday, 15 May 2015
The Gold Standard
Snippets of 3 pieces of golden gorgeousness, that are works new to - and recently delivered to Orso Major. These include the debut of a completely new piece entitled "Rabble" (more of which in a later post).
Tuesday, 12 May 2015
Ravilious
Loved this exhibition at Dulwich Picture Gallery. It contains many of Ravilious's iconic images, and a good few that I had never seen before which are held in private collections. Ravilious's reputation suffers in comparison to other artists of that age, because apart from the Morley College murals that he worked on with Edward Bawden, his work was rather modest in scale, and he chose to work in watercolour rather than oil paints - the medium traditionally favoured by other artists.
Ravilious
until 31st August
Dulwich Picture Gallery
London SE21
www.dulwichpicturegallery.org.uk
Friday, 8 May 2015
True Colours
This is my latest commission, a piece entitled - True Colours, (after the song made famous by Cyndi Lauper - but the Eva Cassidy version!). It was commissioned as a wedding gift for a lovely couple who are soon to be married, and created to complement a fabulous orange sofa. Its new home is in the most beautiful period house in central London. It was a great commission, and a privilege to create something that the happy couple adore, and will be a cherished part of their future journey together. It was a pleasure to meet you A & T. Congratulations and Good Luck for your big day, (and yes, I will definitely hold you to your offer of visiting rights!)
Saturday, 2 May 2015
Pangaea II: New Art From Africa And Latin America
The first part of this show from last year focusing on emerging African and Latin American artists (see here), was one of my favourites of 2014, so I looked forward to seeing this second instalment. I was not disappointed. It was a really strong show. Like last year the curators again opened the show with a stunning installation in the first room. Last year it was Rafael Gomezbarros' spiders, this year it was in the form of 97, 000 blue plastic bags, which comprise a piece entitled Everything Must Go - the work of:-
Jean-Francois Bocle:
It is a comment on human consumerism and waste, and a metaphor for the sea, and the lives lost to the sea during the transatlantic slave trade. Never would have thought plastic bags could have such an impact artistically. I loved both the scale and simplicity of this installation. Other artists/works that impressed me were:-
Armand Boua:
These are thought provoking graphic paintings using tar and acrylic on cardboard boxes that address themes such as child abduction, politics, ritual sacrifice, sex trafficking and man's inhumanity to man.
Virginia Chihota:
The drawing style and textured surface of Chihots's works reminded me of childrens book illustrations from the 1960s by illustrators like Ezra Jack Keats.
Alexandre da Cunha:
These straw hats stuck onto coloured canvases were oddly compelling.
I thought these objects were ceramic plant pots at first glance, but on closer inspection they turned out to be painted tyres given a new context, purpose and meaning. Loved the colour combinations.
Federico Herrero:
Another artist who uses colour really well on a large scale.
Diego Mendoza Imbachi:
I loved the huge scale, drawing, and simplicity of these works, as well as the nature/eco theme.
Jorge Mayet:
These sculptural works representing trees and plants were amazing. They look so real but are made from electrical wire, paper, fabrics and acrylics.
Ephrem Solomon:
Blogged about Solomon last year (here). Love his take on linocutting.
Mikhael Subotzky:
I like the way Subotzky composes his photographs. He has a good eye, and real painterly sensibilities in terms of composition. They remind me of paintings by J-F Millet, like -The Gleaners (1857).
Subotzky's photograph below reminded me of Gustave Caillebotte's - The Floorscrapers (1875), one of my favourite paintings.
Most powerful was this beautiful little girl with those awful words scrawled across her forehead. What were her parents thinking?
Rafael Gomezbarros:
Great to see the return of these amazing eerie skull-spiders.
Pangaea II: New Art From Africa and Latin America
until 6th September 2015
Saatchi Gallery
Duke of York's HQ
King's Road
London
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