George Osodi: Kings of Nigeria

Whilst I was in Bermondsey, I also caught this show by the Nigerian photographer George Osodi. The Kings of Nigeria documents a variety of Nigeria's regional monarchs whose ancestors owned vast tracts of land, but who were all stripped of their constitutional powers in 1963 when Nigeria became a republic within the British Commonwealth. Despite being stripped of their powers these monarchs still cling to the pomp and ceremony of the royal lifestyle and are still very popular amongst, and feted by their loyal subjects, and act as intermediaries between the people they represent and the Nigerian government. There are parallels in what Osodi and Kehinde Wiley, (the subject of a recent post), are trying to achieve, in that they are documenting, and preserving a peoples and their lifestyle, and how they choose to express themselves in culture, and dress, through portraiture.  

I do not know if it was the photographer George Osodi's intention, but when I look at the two photos above I am reminded of the formal, historical European portraits of royalty, and in particular Velasquez's Portrait of Pope Innocent X (below). Their poses, age, extravagant dress, and direct stare out of the picture plane at the viewer lends them an air of gravitas. I think there are distinct similarities, what do you think? 

I like looking at the clothing of the various Kings in these photographs. There are sumptuous taffeta and brocade robes as well as traditional African textile prints. Other photographs from the series (not shown here), depict elaborately beaded necklaces, veils and head wear. I would like to know more about the choices made by the monarchs represented. What influenced their tastes in how they choose to display their wealth? They differ from those of the contemporary monarchs of the West, so were they cultural decisions, or based on geographical necessities? 

Also interesting is the decoration and architecture of the palaces which isn't represented so well in the photographs here, but you get a good glimpse in the exterior shot of the palace in the last photo below.

This was an interesting exhibition as it documents a different experience of wealth and culture to that most of us are used to. Osodi has hit upon a good project and will hopefully capture for posterity all of the remaining Nigerian monarchs.

George Osodi Nigeria Monarchs
Until 3rd November 2013
Bermondsey Projects
46 Willow Walk
London SE1

George Grosz: Berlin, Prostitutes,Politicians, and Profiteers

I was really glad I caught this show in my frenzied gallery dash. I admired George Grosz's draughtsmanship as a student, and it was really good to engage with it again years later in the intimate setting of the Richard Nagy Gallery. It has been 20 years since there was an exhibition dedicated to Grosz's work in the UK so it is was a good, and timely choice by whoever chose to curate this show.

George Grosz had a contempt of bourgoise life in Germany and it was this dislike, and negative experiences as a soldier in the trenches of the First World War that fuelled his artistic vision and satirical view of the German establishment. Grosz is known for his association with the Dada movement, but it was with the sexual and violent images of prostitutes and their wealthy clients in decadent 1920's Berlin that he is best known. The biting, satirical nature of the artwork is tempered by the tenderness of his drawn line. He clearly loved drawing as a medium, both to express himself artistically, and also vent his frustrations at the authorities. I was reminded of the British satirical political cartoons of Gillray, Cruikshank and Hogarth, and also of the factory workers in the work of LS Lowry in the drawing below.

This is a real gem of an exhibition for those who are interested in drawing, or a glimpse into an artists view of decadent 1920's Berlin life. Another one to definately catch again before it finishes on November 2nd. 

George Grosz Berlin: Prostitutes, Politicians and Profiteers
Until 2nd November 2013
Richard Nagy Ltd
22 Old Bond St
London W1

Flamingos-a-Go-Go

As a recent commission I was asked to create a Butterfly Ball to be hung against this fabulous Cole & Son Flamingo wallpaper. 

I prepared a swatch for the client of colours I thought would be most appropriate from the palette of papers that I use, and then once these were client approved I started cutting. 

I thought that as the dominant background colour of the Flamingo paper was a cool duck egg blue, then the Butterfly Ball needed to be made up of warmer reds, and pinks to highlight the pink of the birds, with accents of blue and grey. This was the resulting artwork. A very nice commission.