Tuesday, 19 June 2018

Beyoncé's Papillon Ring


There was much excitement in the press the other week when it was announced that having "put a ring on it" Beyoncé and husband Jay-Z have now gifted said unusual Papillon ring to the V&A Museum.


The ring is one from a series which are the creations of jeweller Glen Spiro (below), and take the form of an articulated butterfly seemingly poised to take off, with wings made of titanium encrusted with diamonds and rare green tsavorites (or other rare stones). The donation is one of several made to the V&A by the musical power-couple which they thought should go to an institution in the designers home city.



 jeweller Glen Spiro

The Papillon collection pictured is a range of unique and exquisite butterfly rings - featuring moving wings made of feather-light titanium and encrusted with gems in various pretty hues. Each ring is ingeniously crafted and technically adept - with the butterfly appearing to be perched on the finger and fluttering as the wearer opens and closes her hand, or bends her finger, due to a clever mechanism that delicately extends over the knuckle. The butterfly appears to be attached to the wearer's finger by its diamond-studded tendrils which can flutter its wings on the wearers whim. Spiro says of his Papillon range - "The butterfly is a classic jewellery motif. But we wanted to make it more interesting, so we came up with a way to animate these bejewelled insects at the command of their owners." 


The unusual Papillon ring is currently on display in the William and Judith Bollinger jewellery gallery at the V&A, and is in good company , set among important jewellery pieces previously created for and owned by Elizabeth I, Catherine the Great and Napoleon. Below you can see a brief video of the articulated Papillon ring in motion.



Sunday, 17 June 2018

Thomas Gainsborough: Butterflies Through Other Eyes #40


Thomas Gainsborough (1727-1788) The Painter's Daughters Chasing a Butterfly (c.1756)

 Always keep them within reach.



Happy Father's Day!

Friday, 1 June 2018

Beatriz Milhazes: Rio Azul


"I want to have optical movements, disturbing things; such visions that your eyes would be disturbed when you see them." Beatriz Milhazes

Gamboa II





A nice shot of intense colour to complement the hot weather we've been experiencing in London of late was found in Beatiz Milhazes' current show at White Cube Bermondsey. There are these charming mobile/sculptures made from found and made materials resembling bead curtains from a 1970s interior which are pretty and decorative, but seem ephemeral and quite insubstantial. They brought out the child in me and I just wanted to run through them to relive my childhood.

Marilola


Other pieces in the exhibition consist of Milhazes' trademark densely overlaid circular patterns and geometric motifs. There seems to be a nod to, and perhaps over-reliance on the works of both Robert and Sonia Delauney in these latest works, and a relegation of the lovely graphic foliage that Milhazes used to employ to soften the hard geometrical shapes.

Os cisnes com vermelho, rosa e prate


Bibi em ondas laranjas e cinzas


Marilola

Papel japonês em amaelo e laranja

Hawai em ondas pretas e brancas


I enjoyed the densely layered collages, and noted the inclusion of packaging from premium brands.


Marola




Balade leite em roxo e azul ultramar

Pó de arroz


I enjoyed seeing the looser, painterly touches in certain paintings amid the graphic, kaleidoscopic, hard-edged pattern, and hope that this mark-making is something that is explored in more depth in future Milhazes paintings.

Banho de rio

Rio azul

The centrepiece of the exhibition is this huge wool tapestry - Rio Azul, which is 16 metres wide and almost 3 metres high. Milhazes says it is inspired by the work of Brazilian Modernist Roberto Burle Marx, but I also see the work of Matisse and his Jazz collages. The scale of this piece is certainly impressive but I would have liked to have seen Milhazes and the weavers exploit the more nuanced effects of tone and texture which can be achieved in the art of tapestry like those seen in Chris Ofili's The Caged Bird's Song here.






Goa


Coqueiral em marrom e azul

O grande dia




Beatriz Milhazes: Rio Azul
until 1st July
White Cube Bermondsey
144-152 Bermondsey Street
London
SE1