Joseph Plateau (1801-1883) - Phenakistoscope
Friday, 28 October 2016
I was delighted to be invited to exhibit work at Cambridge Contemporary Art's Winter Show which starts tomorrow and continues until 20th November. Up for sale will be one of my lovely dress pieces - Pequeña Princesa Roja. It is one of a trio - including black and white versions - created from the same dress pattern, and based on the Infanta figure from Velazquez's famous Las Meninas painting. The black version was sold last month.
I have also had requests for a smaller version of the 1m square Interstice pieces that I create, (above), and on display at CCA's Winter Show will be a 50cm x 50cm version in silver leaf (below). All artworks are hand-cut and come in ash box frames. Contact CCA or myself for further information about availability.
The Winter Show
until 20th November
Cambridge Contemporary Art
6 Trinity Street
Wednesday, 26 October 2016
Monday, 24 October 2016
Sunday, 23 October 2016
Thursday, 20 October 2016
The excesses and theatricality of the Frieze Art Fair are over for another year, but a legacy is left in the form of the Frieze Sculpture Park, which sees some interesting pieces of sculpture dotted around Regent Park's English Gardens.
Frieze Sculpture Park
until 8th January 2017
the English Gardens
Monday, 17 October 2016
A great exhibition of the unique pieces of jewellery created by sculptor Alexander Calder this.
Calder (1898-1976), renowned for his mobile sculptures, actually began to make jewellery as a child for his sisters dolls using copper wire. He then carried on creating jewellery to make money during the war, and even after he found fame as a sculptor. His jewellery pieces were exhibited in galleries as early as 1929.
Calder had a small select client base of forward thinking, strong women such as Peggy Guggenhiem, and Georgia O'Keeffe. It is statement jewellery, as bold and striking as their extrovert personalities, definately not for the timid.
No, these aren't the refined techniques and outcomes of the haute jewellery created by the likes of say Lalique, or Schlumberger. They are more immediate and raw, and the better, and more striking for it. They are completely unique and have a very different, very sculptural aesthetic.
There is something very primal about Calder's choice of shapes which are reduced to the basic geometries of spirals, squares and oblongs. They seem to have more in common with the jewellery pieces of much earlier, primitive cultures than 20th century jewellery. Surprisingly this is the first UK show devoted to Calder's jewellery and it is well worth a visit before it closes.
photographs with the models are courtesy of Alexander English
The Boldness of Calder: Jewellery By Alexander Calder
until 5th November
Louisa Guinness Gallery
45 Conduit Street