Still on the subject of butterfly inspired shoes, I thought the design of these Sergio Rossi beauties incorporates a really clever use of the butterfly motif and would have the girls salivating.
These are a really nice flight of fancy and a tribute to the art and skill of cordwainers. They come in two different designs, and are satin and laser-cut gold leather with a 4 inch heel, retailing at £700.
Apparently they are sold out at most places, but perhaps, if you've been a really, really good girl for Christmas...
Art/Fashion collaborations seem to be quite the thing now. The Alexander McQueen/Damien Hirst skull scarf collaboration produced some great results, and now Dior are using Andy Warhol's early shoe drawings to good effect also. I was fortunate enough recently to be able to see a private collection of Warhol's early illustrative shoe drawings. It was great to be able to get up close and examine them and his drawing technique first-hand, and in relative privacy. His blobby, linear drawing style was unique at the time, and the use of butterflies quite whimsical.
Raf Simons and the design team at Dior have realised the beauty of Warhol's early shoe drawings, and with the permission of the Warhol Foundation, put them to use decorating a series of Dior handbags and dresses for their A/W 2013 collection. It is not the first time that Simons has sought inspiration from artists, as previous collections have seen him using the work of artists from the Bauhaus movement as well as that of Picasso and Roualt. I really like the Butterfly Shoe illustration hand-bag and clutch, and think it is a particularly apt use of the art/fashion collaboration considering the drawings were originally commissioned for Harper's Bazaar fashion magazine in the 1950s.
The attention to detail on the dress below is pretty amazing. The designers and technicians have done a fantastic job of translating Warhol's whimsical butterfly imagery, and blobby line drawing technique into the textile medium with the use of sequins and beads.
"During my lifetime I have dedicated myself to this struggle of the African
people. I have fought against white domination, and I have fought against
black domination. I have cherished the ideal of a democratic and free
society in which all persons live together in harmony with equal
opportunities. It is an ideal which I hope to live for and to see realised.
But if needs be, it is an ideal for which I am prepared to die."
"No one is born hating another person because of the colour of his skin, or his
background, or his religion. People must learn to hate, and if they can
learn to hate, they can be taught to love, for love comes more naturally to
the human heart than its opposite."
"Death is something inevitable. When a man has done what he considers to be his
duty to his people and his country, he can rest in peace. I believe I have
made that effort and that is, therefore, why I will sleep for the eternity."
It is the tenth anniversary of Alexander McQueen's iconic skull scarf, and to celebrate this milestone the McQueen fashion house have teamed up with, and commissioned Damien Hirst to create a new collection of the much feted scarf.
Both McQueen and Hirst shared a very similar aesthetic vision and iconography in their work in the Fashion, and Fine Art fields, creating attention-grabbing work, so a collaboration between the two talents was always going to result in something pretty special.
series of Hirst designed scarves are certainly that. They are visually
stunning and utilise to good effect the butterfly/insect and skull motifs
beloved of both artist and fashion designer. This small selection of some of the outcomes are very impressive.
There are apparently 30 new scarf designs, and Hirst has adapted some of the scarf designs from his recent Entomology series of works in which he arranges a variety of insects into geometric patterns. I can imagine these scarves are going to be highly sort after, framed, and hung on walls as pieces of artwork rather than be worn, as they are that beautiful.
I am delighted to have been invited once again to take part in the Christmas Exhibition at Cambridge Contemporary Art. I had a fantastic response to my work in The Summer Exhibition, which saw all but one of my pieces of work sold, so hoping for good things from this Christmas show also. I will be showing a new Dragonfly piece and new variations of other butterfly favourites. Contact me directly, or the gallery for any enquiries. The show starts on Saturday 30th November.
Went to the Whitechapel to see the Sarah Lucas: SITUATION show. It was like a Carry On film filled with lots of bawdy visual puns. I really like her take on the human form using stained mattresses, bed-frames, tables, chairs and sofas, as metaphors for the body, with melons, kippers, kebabs and cucumbers representing genitalia. It does get a bit repetitive however, as most artworks seem to have the same punch-line.
It is an unapologetically 'in your face' show with walls full of collaged penises and the upstairs room contains lots of huge concrete and bronze phalluses,(penis envy?).
The show could have been better presented as it is quite crude and haphazard visually, especially the downstairs room with all the exhibits crammed in together with little space, but I guess that is a part of Lucas's aesthetic. There is also a deliberate crudeness in both the subject matter and her choice of materials (toilets, crushed cars, breeze blocks and concrete), and I was reminded of Duchamps series of Ready Mades, his urinal known as Fountain in particular.
My favourites were the cigarette drawings, NUDS- stockings filled with fluff to represent bodies and breasts, and also the concrete casts of boots.
Managed to catch this show by the paper-cutting maestro before it closed. It was interesting to see how his pieces are becoming more complex and ambitious. I prefer the pieces where he leaves most of the paper uncut and intact as they are visually stronger, because of the balance between positive and negative, in my humble opinion. My two favourite pieces in the show were Sub-atomic Love Story, (illustrated above and Your Song Was My Song Is Our Song, (below). The show also saw the launch of his new book, 'The Invisible Kingdom'.
Rob Ryan: There is Only Time Sims Reed Gallery 30 Bury St.
Francis Bacon's Three Studies of Lucian Freud set a new world record for a piece of art sold at auction last night in New York when it went under the hammer and sold for a record breaking £89.3 million, against an estimate of £85 million. There were apparently seven bidders who fought it out for 10 minutes before one of them successfully bought the artwork. The price paid exceeds that of the version of The Scream by Edvard Munch that sold last year which was previously the most expensive piece of art sold at auction. I wonder which billionaire now owns these paintings, and whether they will ever be publicly exhibited again. Really glad I saw them when I had the opportunity.
There is a fantastic exhibition at Christie's Mayfair, on New Bond St. which chronicles the early years of the Pop Art phenomenon in Britain. The great thing about the exhibition is that Christie's has managed to persuade owners to lend significant and early Pop pieces by greats such as Peter Blake, David Hockney, Richard Hamilton and Allen Jones, which are usually kept away from public view by their owners. Some haven't been publicly exhibited since the 1960s.
Personal favourites in the show are Allen Jones' early 'Bus' pictures which are a wonderful splash of colour, as are his later stylised fetish pieces of stiletto heels and shiny rubber-clad legs. His furniture sculptures of women in prone positions seem as controversial as ever, but make an important statement.
David Hockney's early paintings are also exciting. I really like the looseness of his brushwork compared to his more controlled paintings of the 1970s, as well as his use of graffiti/typography.
It was also really interesting to see Gerald Laing's work which has obvious parallels with Roy Lichtenstein's because of the use of the Ben-day dot system used in newspapers and comics, which both adopted in their work.
My absolute favourites are Peter Blake's paintings of wrestlers and tattooed ladies. I like the contrast in his paintings of the highly finished elements and areas which are left sketchy and seemingly unfinished. It was so wonderful to be able to see these early works in the flesh.
You really get the feeling from this show of how advertising, music and popular imagery caught the imagination of the these young artists of the period as there seems to be a real youthful energy and excitement to this show that reflects the "swinging" London of the time. All of the artists were clearly fans of the music, products and stars of the era. I now want to visit the Barbican's Pop Art Design exhibition which is also currently running before it closes. This was one of the best exhibitions I have been to this year.
When Britain Went Pop! British Pop Art: The Early Years Christie's Mayfair 103 New Bond St.