The beautiful designs, (of what look like), lacey, lasercut metallic panels in the Italian Pavilion (below), were also noteworthy and caught my eye.
After this it was round the corner to the St Jude's In The City pop-up at the Townhouse - Spitalfields. I got so caught up in chatting to Simon (one half of the dynamic St Jude's duo), that I forgot to take pictures of their residency. Their display was as per usual immaculate, with covetable prints from Simon's other half - Angie Lewin, as well as Chris Brown, and new/old wallpaper designs and prints by the venerable Edward Bawden, and a new fabric design by Mark Hearld.
Seaweed - Edward Bawden
Bantam Bough - Mark Hearld
The Gateways were striking ceramic designs full of colour and pattern, and very popular with the public. Photography was difficult as people wouldn't get out of the bloody way!
I also liked the large canal-side lettering installation by Campari and their customised narrowboat, where you were invited to take a break from the design frenzy and relax with a glass or two of the refreshing Italian apéritif.
After this, it was down to the classical setting of Somerset House for Design Frontiers. I wasn't sure whether I would like this feature of the Festival, but it was one of the best events of the whole Design Festival. The way the various designers involved embraced and showcased design and technology was absolutely stunning, and perhaps what was missing at other design hubs making them seem somewhat lacklustre.
This interactive display by Jaguar was absolutlely stunning, projecting film onto a prototype design of a futuristic car, and then animating the background to take us for a spin around the Somerset House courtyard. Absolutely amazing! This installation finally supplied the wow factor in design that I was in search of throughout the Design Festival.
Another visually arresting installation was Materialise, above, by Kate Greenyer of Pentland Brands, whose work utilises innovative pattern cutting and fabric technology to aid athletes to perform at their peak. The quality of the graphic design of her publicity material and hand-outs were also outstanding.
The room devoted to the installation by designer Dominic Lippa - Dominic Lippa: Facts and Figures, was really thought provoking. It presents data and statistics in the form of these handsomely designed books which provoke guilt, anger, intrigue and astonishment at the human condition and behaviours. The public are invited to take the books of random facts and data away with them. It was great to finally have something to be challenged by from the Design Festival, that we could also take away and digest at leisure.
Luminous Reflections - Toord Boontje's collaborations with Swarovski crystal also had the sophisticated design wow-factor. I would quite happily find a place for these exquisite lighting pieces in my home. Just beautiful, and very inspiring!
After the technical sophistication of Jaguar and Tord Boontje, I enjoyed the playfulness of - My Canvas - an invitation by textile design firm Kvadrat to both established and emerging designers to respond to the theme of Canvas. Some of the resulting outcomes below, were by turns mad, sophisticated and inspired. Again just wonderful!
Design Frontiers was a fantastic experience, and easily featured some of the best work of the London Design Festival 2017. I hope it returns again next year for a 2018 edition.